Did you know that there are more than 20 different stock available on the super-8 market?!

FILM STOCK from Kodak, Fuji, Wittner, Pro8mm.com:

color ( for excellent samples of stock, visit: www.westsiderfilm.com/clips.html )

Kodak Ektachrome 64T : This new Super 8 mm format film offers excellent color reproduction, fine grain and high sharpness. EKTACHROME 64T Color Reversal Film 7280 is a 64-speed tungsten balanced film with outstanding reciprocity characteristics, which give consistent color balance over a wide range of exposures. The film process is E-6.

Click here to buy Ektachrome 64t


Kodak VISION2 500T : Offers the lowest grain available for clean, crisp images; improved neutral tone scale; and more flexibility in both film and digital postproduction.
VISION2 500T

Click here to buy Vision2


Kodak VISION2 200T : Color Negative Film 7217 is highly versatile and reliable. Offering excellent image structure under a wide variety of lighting conditions. And now 200T Film also enables you to shoot all scenes for digital compositing on the same stock.

Click here to buy Vision2


Fuji Velvia 50 Daylight reversal : Tests have shown grain and sharpness to be similar to Kodachrome 40 film (and far superior to Ektachrome 64T). Color and latitude, however, are better than K-40, offering more detail in the shadows and saturation in every hue pushed to the extreme!

Pro8mm ASA 50 Daylight Negative :
Latitude 5-stops of fine grain saturated colors with full chrominance. Best used in full sun, without shadows. Reformatted from 5245

Pro8mm ASA 50 Daylight Negative:
Latitude 7-stops of extreme fine grain. Sharpest super 8 film available. Shows fine detail in both image and color for very natural reproduction. Great for shooting flesh tones when there is an abundance of daylight used. Reformatted from Vision2 5201.

Pro8mm ASA 100 Tungsten Negative :
Latitude 7-stops of extreme fine grain. Sharpest super 8 film available shows fine detail in both image and color for very natural reproduction. This is great for shooting flesh tones when there is an abundance of light. Reformatted from Vision2 5212.

Pro8mm ASA 250 Daylight Negative:
Latitude 7-stops of fine grain and saturated colors for full chrominance. Reformatted from Eterna 63 250 D.

Pro8mm ASA 400 Tungsten Negative :
Latitude 7-stops of fine grain. It can be easily saturated while maintaining the subtle contrasts of skin tone. Reformatted from Fuji Eterna 400T.

Pro8mm ASA 500 No Color Balance :
Latitude 10-stop moderate grain. This the first of a new generation of film designed specifically for digital Mastering. This film has an incredible ample color space to render good flesh tones under mixed lights. Pro8/99 is very forgiving to mixed lighting situations. Reformatted from 5299 (premium stock)

Wittner CHROME 100D, Color Reversal : Contains Kodak Ektachrome 100D (7285) Film.

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black & white

Kodak Plus-X B&W Reversal : A medium-speed, panchromatic black-and-white film suitable for general exterior photography. It has a high degree of sharpness, good contrast, and tonal gradation. It can also be used in interior photography with ample artificial illumination.

PLUS-X

Click here to buy PLUS-X

Kodak Tri-X B&W Reversal : Offers finer grain and increased sharpness, and includes EASTMAN KEYKODE Numbers for easy cross-reference of shots in minutes, not hours. Reduced static support allows for a cleaner image throughout the filmmaking process.
TRI-X

Click here to buy TRI-X

Kahl Dokument 12ASA : High contrast black and white film particularly suitably for TV documentations, advertisement and art films.
Kahl 21 B&W Negative 100ASA

Kahl 24 B&W Reversal 200ASA
Kahl 27 High Speed Negative 400ASA

Pro8mm ASA 10 B&W Reversal Film
Pro8mm ASA 100 B&W Reversal Film
Pro8mm ASA 200 B&W Reversal Film : Latitude 3-stops of moderate grain structure. Repackaged from Tri-X reversal film to include Pro8mm award winning processing.