
Because Kodachrome is pretty dead (sob), many people are wondering if their camera can take the new 100D Ektachrome or maybe other filmstock.
Filmspeeds for common reversal super-8 films are mostly marked for artificial light (without wratten filter - 85). For daylight you must use this filter, which reduces the amount of light passing onto the film surface. This is the reason why the same film “has different filmspeeds”.
The cameras that only allow 40 or 160 ASA tungsten -25 or 100 daylight- are now only useable with B&W film stocks (f.e. Kodak TRI-X 160 ASA tungsten, PLUS-X 100 ASA daylight). Inserting a 64t cartridge into one of these cameras will most likely result in one of two possibilities: an underexposure due to the camera metering for 160 ASA film loaded or an overexposure due to the camera metering for 40 ASA. However... if you don't try, you'll never know. I've read stories about the 64t coming out fine out of these 40/160 ASA camera's. Maybe it's worth a try... It's also possible to use an ND filter to compensate. Look in the table at the end of this page (scroll down) to read about this.
Some older cameras loaded with Ektachrome 100D may automatically set the exposure to ISO 160. In many situations, results at an ISO 160 exposure setting (approx. 1/2 stop underexposed) would still be acceptable. The majority of super-8 cameras made prior to 1970 came with a fixed film exposure setting of ISO 40. At an ISO 40 exposure setting (approx. 1 1/4 stop overexposed), this film would require either the use of a neutral density filter (0.3 ND) or process E-6 'Pull Processing' to compensate for this overexposure. Prior to exposing the film at an ISO 40 setting, verify with your developing laboratory that they offer the appropriate E-6 'Pull Process.' Want to know more info about the Ektachrome 100D Color Reversal Film 7285? Download Kodak's Ektachrome 100d technical data sheets (PDF).
If you want to know more about how cameras 'read' different types of super-8 cartridges, this article about super-8 cartridge notches is extremely helpful.
Here is a list of camera's with ASA settings and specifications. If you don't have a manual, maybe you can find some info here.
You can click on the names to search for them in auctions.
Beaulieu: 2008 / 3008 / 4008 / 5008 / 6008 / 7008 / 9008 -> manual ASA setting, big range.

Beaulieu 4008 ZM IV (2 fps up to 80 fps slow-motion !)
Bolex 150 / 155 / 160 (macrozoom)
Bolex 581 (manual adjustment of the aperture possible or with +/- correction)
Tungsten: ISO 40, 160
Daylight: ISO 25, 100
Chinon 674 / 872 / Pacific 310
Nizo 481 / 561 / 801 / Professional (25 fps. instead of 24):
Tungsten: ISO 16 to 160 (recommended camera's!)
Daylight: ISO 10 to 100
manual / auto zoom with 2 speeds; 6, 18, 24, 56 + single frame; shutter degree: var. (expose one frame as long as you want!!)

Nizo 801 (same as 481 & 561, only different lens. Has the automated B-function with which you can film the moon f.e.)
Nizo 1048 / 2056 / 3048 / 4080 / 6080
Tungsten: ISO 40, 64, 100, 160, 250, 400 and 640
Daylight: ISO 25, 40, 64 , 100, 160, 250 and 400
Nizo 6080
Nizo 136 / 148 / 156 (manual adjustment possible! See chart below)
Tungsten: ISO 40, 160 and 250
Daylight: ISO 25, 100 and 160
Canon: 512 (XL) / 518 / 814 / 1014 / Canon 1014XL-S / 1218:
Tungsten: ISO 25, 40, 64 , 100, 160, 250 and 400
Daylight: ISO 16, 25, 40, 64 , 100, 160 and 250

Canon 512 XL

Canon Auto Zoom 814 Electronic

Canon Auto Zoom 1014 Electronic

Canon 1014 XL-S (1, 9, 18, 24, 36 fps and interval)
Canon Zoom 250:
Tungsten type film: ISO 25, 40, 64, 100 and 160
Daylight type film: ISO 16, 25, 40, 64 and 100
Canon 310 / 312 / 514 (XL & XL-S, for this one, see Kodak chart below, scroll down):
Tungsten: ISO 40, 160 and 250
Daylight: ISO 25, 100 and 160
note: If you want to buy one of these, on youtube are lots of samples, shot with 100D in one of these. Also I spoke with someone who successfully shot a roll of 64T with her Canon 310 XL. I've seen the pictures and it came out nice. She filmed indoors and outdoors with it. Try a roll before shooting your feature!

Canon 310 XL (F/1.0 XL eXtended Light aperture )

Bauer Royal C 10
Bauer C 107 / 109 / S 204 / S 207 / S 209 XL / C Royal 6, 8 and 10 E
Tungsten: ISO 40, 160
Daylight: ISO 25, 100
Cosina DL-80P / SSL 766 Macro / SSL 768 Macro / SSL 7610 Macro / MS-5000 XL
Cosina DL-40P, DL-60P (manual adjustment possible! 2/3 stops less than the meter suggests)
Elmo Super 104 / 106 / 108 / 110
Tungsten: ISO 25, 40, 64, 100, 160 & 250
Daylight: ISO 16, 25, 40, 64 , 100 & 160

Elmo 104 (18, 24 fps and single frame)
Elmo 612S-XL / 1012S-XL
Tungsten: ISO 40, 160
Daylight: ISO 25, 100
Eumig Viennette 3 / 5

Eumig Viennette 5
GAF ST/111E / ST/802 / ST/1002
Tungsten type film: ISO 25, 40, 64, 100, 160 and 250
Daylight type film: ISO 16, 25, 40, 64 and 100
Nikon, All Nikons, R10 and R8, measure properly.
Leicina Special / RT-1
Minolta all Minolta Autopaks
Porst ZRS 448 Reflex
Tungsten: ISO 25, 40, 64, 100, 160 & 250
Daylight: ISO 16, 25, 40, 64 , 100 & 160
Ricoh 800Z
Tungsten: ISO 25, 40, 64, 100, 160 & 250
Daylight: ISO 16, 25, 40, 64 , 100 & 160
Yashica SUPER-600 Electro
Tungsten: ISO 25, 40, 64, 100, 160 & 250
Daylight: ISO 16, 25, 40, 64 , 100 & 160
---------------------------------------------------------------------------------------
Here is a list from Kodak's website about reading the 64t notch.
Ektrachrome 64T is no longer manufactured, so this is for reference only if you happen to buy some old stock. If you want to know if your camera can take the 100D, scroll up or download Kodak's Ektachrome 100d technical data sheets (PDF).
CAMERA
|
TYPE |
EXPOSURE |
COMPENSATION METHOD |
ACTUAL EXPOSURE |
| Bauer S715XL, S709XL | Manual Aperture adjust | 40T - misreading notch | Adjust aperture to be 2/3 stop less than 40T | 64T |
| Beaulieu 1008 XL | Manual Aperture adjust | 40T - misreading notch | Adjust aperture to be 2/3 stop less than 40T | 64T |
| Chinon 200/8 XL Pacific | Manual Aperture adjust | 40T - misreading notch | Adjust aperture to be 2/3 stop less than 40T | 64T |
| Cosina DL-40P, DL-60P | Manual Aperture adjust | 40T - misreading notch | Adjust aperture to be 2/3 stop less than 40T | 64T |
| Elmo 1012s-xl, 612s-xl | Manual Aperture adjust | 40T - misreading notch | Adjust aperture to be 2/3 stop less than 40T | 64T |
| Minolta XL-401 and XL-601 | Manual Aperture adjust | 40T - misreading notch | Adjust aperture to be 2/3 stop less than 40T | 64T |
| Nizo compact series 136, 148 and more | Manual Aperture adjust | 40T - misreading notch | Adjust aperture to be 2/3 stop less than 40T | 64T |
| Sankyo ES 66-xl, ES 44-xl and more | Manual Aperture adjust | 40T - misreading notch | Adjust aperture to be 2/3 stop less than 40T | 64T |
| GAF 505 XLM | Manual exposure comp | 40T - misreading notch | Adjust exposure dial by -2/3 stop | 64T |
| Bolex 160 | EE Lock-Int Light meter | 40T - misreading notch | Point camera at object to make the aperture 2/3 stop less open, press the EE lock. | 64T |
| Bolex 350 Macro Compact | EE Lock-Int Light meter | 40T - misreading notch | Point camera at object to make the aperture 2/3 stop less open, press the EE lock | 64T |
| Canon 514XL, 514XL-S (cameras thinks 160 ASA T) | EE Lock-Int Light meter | 160T - can't see notch | Point camera at object to make aperture 1, 1/3 stop more open,press the EE lock | 64T |
| Bolex 350 Macro Compact | Manual exposure control | 160T - can't see notch | Adjust exposure dial by+1 stop | 80T * |
| Kodak M2, M22 | Manual exposure | 40T - misreading notch | 0.2ND on lens (-2/3 stop exp comp) | 64T |
| Agfa Microflex series | No controls | 40T - misreading notch | 0.2ND on lens (-2/3 stop exp comp) | 64T |
| Canon AF310XL and AF310XL-S | No controls | 40T - misreading notch | 0.2ND on lens (-2/3 stop exp comp) | 64T |
| Eumig Mini 5 | No controls | 40T - misreading notch | 0.2ND on lens (-2/3 stop exp comp) | 64T |
| Kodak XL series | External light meters | 40T - misreading notch | 0.2ND on lens (-2/3 stop exp comp) | 64T |
| Canon 310XL | External light meters | 40T - misreading notch | 0.2ND on lens (-2/3 stop exp comp) | 64T |
| Eumig Nautica | External light meters | 40T - misreading notch | 0.2ND on lens (-2/3 stop exp comp) | 64T |
| * | +1 and 1/3 stops is not possible on this camera so closest available is + 1 stop, which results in -1/3 under | |||